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Iglesias' comedy hits the right notes |
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Iglesias' advice in life is to enjoy the ride It
doesn't matter when you get there as long as you're enjoying the journey,
says the singer, songwriter, comedian, composer, writer. actor. director
and father. Bursting into his favorite hangout. Toi restaurant on Sunset,
Iglesias and his signature Zoro-esque hat seemed at home in the high energy
eclectic, hip environment, and it was only slightly
FROM HERE TO COMEDY
His comedy career started with the improv group, Improv Inferno, a staple at the Ice House in the early 90's In 1992. the improv on Melrose hosted the "Funniest New Unemployed Comedian Contest", and Henry entered. "I was unemployed and funny so I gave it a try." he says. No open mics, no comedy class, Henry went straight to the improve. Iglesias won the contest and was suddenly an employed comedian, earning a week-end paid gig at the Riviera in Las Vegas (Las Vegas is a Spanish name, Iglesias says: It means 'the Vegas'). He currently does comedy 4 or 5 times a month and is a regular at the Comedy Store. NO TIME TO SPARE
His priority is marketing a pilot he just finished writing for television. "Oh Henry" is semi autobiographical, and features a musical comedian. What a stretch! "it incorporates all the things I've been doing over the past 10 years -- the acting, the comedy, the music -- every aspect of it. I love anything artistic." "I want to be like (director Akira) Kurosawa:
The guy was 75 years old, blind and in a wheelchair and still directing
and directing brilliantly".
Political humor is always a risk. Iglesias finds inspiration in Tom Lehrer. "He didn't play down to people, he always played up to people's intelligence," he says. "Needless to say, this doesn't always work in a comedy club. "Sometimes I'll be doing my smart political stuff and not getting the big laughs and my brain will click in, Do the dick jokes." He likes doing original songs and parodies of popular songs, such as his hilarious send-up of lover-boy Julio Iglesias "All The Girls I've Done Before." "The thing about my act is that I really don't have an act, I always go with the spur of the moment." Iglesias says. "For me to talk about things like death and cults and things in the news is my way of defining myself because I feel like I just a conduit of all these things, an interpretive vehicle." He uses the Lorena Bobbitt incident as an example: "Some people talk about it as a social phenomenon and other as, 'Oh look, I found a dick." Iglesias would look at it as a social phenomenon. MENTORS AND MOTTOS
"You can always tell when you're dying with a crowd. It's beyond silence. It is almost a vacuum in space. ... Every second seems to last like a slow-motion 1000 years." He remains dedicated to being creative and experimental. "1 have to keep myself fresh, even if it means taking the risk of not killing the audience every night," Iglesias says. "My hit and miss ratio is about 75 percent." His comedy mentor is Avery Schrieber, who has taken Iglesias under his wing. He once met Steve Martin and asked him what advice he had for comics, Martin told him to just get so good the people HAVE to pay attention to you. The point was, work on your art and don't worry about the rest. Iglesias' advice to other comics? "Develop different facets of your comedy.... Be creative and take risks. So what if you fail in front of people--that's part of the process. " "You can tell when someone is a 'lifer' in the (entertainment) business. This is like prison in a sense. You can tell because they never quit, they are always there . " "They aren't going anywhere -- they are lifers. The prisoners of comedy settle into it and put palm trees in their cells. " Iglesias uses all of his skills and tools, making the most of what he has. He plays to his strengths, his musical skills, doing songs and comedy in both Spanish and English. His biggest asset is his positive attitude. "You should always be happy. As long as you're pursuing your love, you have found your nirvana." |